A viewer of my previous video “My favourite rhythm pattern for beginner piano players” requested a video demonstrating how to add the sustain pedal to this rhythm pattern. I’m thrilled that my viewers want to take on extra challenges, so here it is!

If you're interested in gaining more independence in reading piano music, there is one skill I recommend you focus on that will catapult you to the next level -- and that is learning how to read rhythm. Learning how to identify the rhythm of the notes you’re supposed to play is going to unlock your confidence in a way that you can’t imagine! Today, I’d like to explain why this skill is so important, why hard for beginners to approach, and what you can do to gain your first steps in rhythmic independence :)

Today I'd like to share about a bad habit that I used to have, one that I see in my students from time to time. This habit involves taking an idea that seems fun and overthinking it to the point of becoming intimidated by the possible futures it might bring. Can you relate to this?

Playing along with your favourite songs is the best way to learn piano, but it can be difficult to get started if you don’t know what to do with your hands.

Today I’m sharing a really simple piano accompaniment pattern that’s easy to learn but has a huge range of applications if you want to play music by ear.

Today’s post is inspired by a viewer's questions about the relationship between music theory and creativity: “Is music theory a set of rules to follow? Will learning music theory stifle our creativity? How do you explain famous musicians who never learned music theory but still create great music?”

I thought these were such great questions because they really get to the heart of what we’re doing as musicians. What are the rules for, if not to be followed?

There’s a point in each of my piano students’ music journey where I notice their questions shift from how music works to why music works the way it does.

The how questions are the easy ones. They’re just questions about mechanics. How to build a major scale, how to build a good rhythm.

But once my students start to understand the mechanics of how music works, then they ask why it works that way. Why does the leading tone draw us to the tonic? Why is the dominant chord so strong in every key signature?

Today I’d like to address a concern that comes up when someone is about to spend a lot of money, and that is, how do I avoid choosing an instrument that is quickly going to become obsolete? It’s a valid concern. A keyboard is a big investment and in our day in age when innovation happens pretty quickly and a lot of technology is seen as essentially disposable, it’s natural to worry that you’re about to throw your money away on something that won’t be usable in a few years.

So let’s talk about this. How do we choose a keyboard that has some longevity?

If you’ve been following my channel for any amount of time, you’ve probably noticed that I love talking about music theory. One of the reasons I love talking about music theory so much is because of how personally beneficial it was for me to learn.

Today’s post is a response to a question I got on YouTube, asking me how much a person should expect to spend on a new keyboard.

I totally understand how the world of electric pianos can be overwhelming — I feel it, too! But over the years I’ve noticed there are some basic considerations you can keep in mind to help you make a decision that’s right for you.